emissarydeatons:

fairytale retellings for my teen wolf ships: scallison + cinderella

scott is trying to be polite to his potential brides and allison hasn’t practiced politeness in years: both are practical. when they meet by chance in the woods and fall in love, they know that nothing can possibly come of it -but scott and allison are stubborn. can allison attend the prince’s balls and convince everyone she’s lost royalty? can scott, in disguise as a chimney sweep, earn her love without the help of a title?

"The last time I was alone with you, I almost bled out on the lacrosse field."

"But [Allison’s death] scared them. This was the first time they’ve lost one of their own."

Dylan O’Brien (x)

image

anslogarrick:

march 16-22, 2014: saying goodbye to some of television’s most compelling female characters.

  • allison argent (teen wolf)
  • audrey bidwell (the blacklist)
  • lucy brooks/”jolene” (the blacklist)
  • beverly katz (hannibal)

I understand that the networks and writers didn’t band together and say, “Let’s destroy these characters all at once,” but it really does say something that there were at least four significant female characters killed in the last week on cable television. Some of these women were leads, others supporting cast, but all were killed and killed violently.

The response that audiences have had to this varies by character, naturally. Some characters were thought to be killed for shock-value, while others were killed to fuel a male-dominated storyline. Their purpose became emotional-incentive for a male character to leap into hero/vigilante-mode. Their deaths provided emotional incentive, but devalued as the powerful women that they were. Their purpose was ultimately to trigger a quest for vengeance or alarm the audience, and this demeans their individual competencies and reduces them to a motif.

One writer talks of his character’s death with glee. One writer forbade the actress for making a final decision that she thought would be appropriate for her character’s finale scene, for her last words

Most, if not all, of these characters were strong and self-sufficient. But they weren’t treated respectfully in death. Many were unceremoniously removed from the picture, rather than dying with dignity or a proper fight — only the illusion of one. One particular character will be placed in the centre of a death-tableau. More murder porn. One was shot, died, and disappeared from sight within the course of 30-seconds. This without even mentioning that one show almost killed off two POC in one episode.

It concerns me that these images are continuing to perpetuate our culture with violence against women and male dominance. Female characters are rarely seen avenging their male counterparts, and male characters are rarely seen mourning or behaving sympathetically towards women; we continue to see the aggressive, stereotypically-reserved man and the “strong” woman who couldn’t save herself, but whose death will be justly addressed by the surviving male. The world is already dangerous enough for women. What we need are stories with strong female characters who take care of themselves and survive. We can’t make much progress when the media perpetuates violence against women as an almost-ritual norm, to whatever end.

We are not here to give your men purpose. We have our own. We are not here to die and shock your audience. There are simply too many women reduced to male motivation and plot devices. Give us a chance to fight for ourselves, have our own stories and live our own lives rather than living to make men’s interesting or dramatic.

"A deal is a deal, even with me."

"I did a lot of research on how she would be actually dying in this circumstance, so I had to bear that in mind. So, as she was dying and she had her last breath, I was saying my lines and I kept saying, “I love you. I love you. I love you. I love you.” And I remember one of the producers came over and said, “Please don’t say that because she loves Isaac.” [But] I do feel like Allison still loves Scott. And I think in that moment, she said she loves him because that’s still there. So it was hard for me to hold back those feelings because as an actor, I feel like that’s still there. So I don’t know how it’s going to turn out, but it was interesting for me as an actor because I so strongly felt the urge to say it to him even though she wasn’t supposed to. So that was interesting."

Crystal Reed

(I’m sorry I can’t hear you over the fact that SHE made the decision. That she got to decide who she loved in the end, not the writers.)

Anonymous asked: yk, it was the actress' choice to leave? can't blame her...

clintbartons:

i don’t blame her. i blame the shitty decision to kill her off instead of leaving it open for her return like they did with jackson. colton left too, but they didn’t kill him. they also didn’t kill gerard or deucalion, but they’re gone from the show now. i just find it ironic and really gross that they’ve killed off every woman or poc that left the show but let all the white dudes live.

"I love the art. And I felt like, creatively, there were things I wanted to do differently, and I wanted to explore other avenues of film and TV. I wanted to jump into different characters. You know, I’m 29. So I think the age difference was something I wanted to change as well because she’s 17. I love the show so much. So I went to Jeff and talked about it and he said, “We’ll write you a great ending.”"

-Crystal Reed [x]  (via tacoposey)

(via socrownme)

theyearofthewolf:

So I’m reading an interview that says it was Crystal’s decision to leave. That’s well within her right. Frankly she’s better off away from this show.

Doesn’t mean you had to kill off Allison, Jeff. Hell, you filmed two different endings for Season 2, one where Jackson died and one where he didn’t, and then when Colton up and ditched your show you leave it open for him to come back. So why not with Crystal?

Oh, right. Because she’s a woman.

3x22 & Pydia parallels