Jess. Mid-twenties; married; geek. No one fandom defines me. Be warned: I am a fan of problematic and incestuous ships. For more of an idea about what you're signing up for if you follow me, check out my about me page.

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you remember where the h e a r t is?

lyrabelacqua:

So a while back I wrote about how Sansa’s and Sandor’s interactions make for a really interesting unwriting of the typical male-gaze centered narrative because a) all of their textual interactions take place from Sansa’s perspective, b) we get to know Sandor best through the Sansa and Arya chapters, and c) Sandor is quite interested in Sansa as an active spectator, not a passive, looked-upon object.

Anyway, I was just rereading some of their passages and this struck me and I can’t believe I didn’t notice it before:

“There’s a pretty for you. Take a good long stare. You know you want to. I’ve watched you turning away all the way down the kingsroad. Piss on that. Take your look.”

-A Game of Thrones, ch. 29

First off, you can read the tonal shift here from mocking to hurt and very possibly sincere. As happens time and again, his bravado kind of falters and he ends up getting a little too raw, exposing just how damaged he is. He starts off intending to mock Sansa’s polite behavior and the courtly culture that surrounds them, but he ends up telling her about his scars. 

He doesn’t say “look at me” here, which he does later in this scene and in several of their scenes together. He chooses “take your look” (the only time, I think, he says this). “Look at me” is a command with a clearly implied imbalance of power: Sandor has it, Sansa does not.  ”Take your look” implies Sansa’s agency as the active spectator, and also acknowledges the weird power/semi-ownership she has over him. He wants her—and no one else—to look at him.

It also has a nice double meaning given Sandor’s later use of give/take language when he talks about the Little Bird. During his confession to Arya, he twists what he had earlier meant as a crude boast about Sansa “singing” to him, saying that he “took the song, she never gave it,” and that he should have “taken” her too. 

Given the true meaning behind the ~song and the giving vs. taking of it, “take your look” takes on a whole new meaning to me. He might go about expressing it in a nasty, brutish way, but Sandor’s one of the only people who sees Sansa as a real person—not just a small cog in a large machine—who can and should be able to take whatever the fuck she wants.

crownthehound:

sandor: [wow sansa is so pretty i should try to compliment her]

sandor: so you’ve got tits now

sandor: [fuck that came out wrong backpedal backpedal]

sandor: nope you’re stupid

sandor: [i’m acting like an ass, better make an excuse]

sandor: i’m drunk by the way

sandor: [shit]

bai-xue88:

crownthehound:

basically what convinced me that sandor is the gravedigger on the quiet isle is the fact that when brienne describes sansa (and let’s be honest it’s a super general description) the elder brother instantly knew who she was talking about and he even says her name real quiet and surprised

like how else would he have known sansa stark from that bare bones description if he hadn’t been talking to sandor clegane, the guy who mentions her every five fucking minutes

~dinner time on the quiet isle~

sandor: so this one time, sansa said to me -

sandor: …i’ve told you about sansa, right?

elder brother: omg for the millionth time, yes, i know.

I didn’t do it for you.

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